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Rean here…


Now that the Acts Manila recital is over, adrenaline gone, I now feel the fatigue accumulated over the last few days. Makes me want to check out Daybeds.com for a day bed mattress.  While the recital required a lot of energy, it was indeed rewarding to see students perform after a year’s hard work.  Congratulations to all the children and parents who were part of the 2012 Acts Manila Recital: Beauty from Ashes.


Check out www.actsmanila.com. For ballet classes in the Sta. Rosa/Binan/San Pedro, Laguna area call/text me at 09083020319/09228108396

Rean here…


The past few days have been very busy…Acts Manila and its affiliate schools performed for 2 nights at the Main Theatre of the Cultural Center of the Philippines. The Company performed Paquita one of the most demanding ballets of all time.  Rehearsals were intense as the dancers’ bodies were pushed to their limits.  (Makes you think about basement flooring options that are kinder to your dancer’s feet and legs).  Thankfully they had a great performance with no serious injuries.  Soli Dei Gloria!


Check out www.actsmanila.com.  For ballet classes in the Sta. Rosa/Binan/San Pedro, Laguna area you can text me at 09083020319/09228108396.



Rean here…

Ever since I became a Christian, I had the desire to use my body to honor God through movement.  Even as I child, there was an inner beat within me that would surface in my movement as music was played.   As I came into the prophetic season of my life, the reality of God restoring the “fallen tent of David” came to prominence in my devotions.   In 1992, I had to opportunity to train under Chelo Borromeo Gemina and Chotto Borromeo Go for classical ballet.  These ladies also had a heart to use ballet to reach the world for Christ so I followed their lead.   While this art may be one the best fat burners, I was in it for the vision.   A couple of years later I quit ballet to pursue a career in industry.   I never dreamed that 15 years later, God would bring be back to ballet to teach kids this craft I love as well as disciple them to be lovers of God.  I am now an Artistic Associate for Chelo Borromeo Gemina’s Acts Manila.  You’ll find me teaching ballet at Laguna Bel Air 2, Alpha Angelicum School in Binan and Jesus the Risen Savior School San Pedro, all in Laguna. You can visit www.actsmanila.com for details.

Its that time of the year, when school is about to end and parents are scrambling to get their kids into activities.    A lot of parents would try to get their kids into dance.  What style should they get into? Where do they train? The answers really depend on what your goals are for your kids.

When choosing a style for your child you should consider the what of the following aspects you want to develop:

1.) Musicality

2.) Acting/Character on Stage

3.) Expression and creativity

4.) Physical control/flexibility

5.) Physical strength

If you want musicality, then jazz, tap and hip-hop. The dependency of these styles on beats and syncopation makes them ideal for this goal.  For character and acting, the classical is the best.  It teaches you to carry yourself like a prince or princess.  If you want to foster creativity and expression, then nothing beats contemporary.

As far as physical training is concerned,  Classical Ballet and Contemporary develop great control over muscle groups.  Classical leg battements and port de bras define peripheral muscles.  Arabesques and pirouettes develop the back and abdominals.  Contemporary contractions and releases develop the core. Think about contemporary dancers rolling like on the floor like rugs.   Hip-hop is known for exposive moves.  Jazz is notable for pelvic and hip isolations.

Among the styles, contemporary appears to confuse some people.  A co-teacher of mine in ballet commented that contemporary is like jazz.  They are actually not.  To understand what contemporary, we go back to its roots.  In the early part of the 20th century,  dancers hated the “fairy tale” like quality of ballet so they developed a more realist, earthy style known as Modern Dance.  In this style, dancers would use the floor and contract their bodies.  In the 60’s some dancers emphasized that natural movement was dance.  Improvisation and natural movement marked what is known as post-modern dance. The combination of Modern and Post-Modern  is now called Contemporary.

After choosing the style, you then consider the teacher.  Is the teacher really a dancer? How long did he/she dance? Where did he/she get the training? Is he/she part of a guild or network of teachers that oversees the quality of instruction? Are the rates reasonable? In my case, I danced for about 3 years before working in industry for 15 years.  After that I returned to ballet as a teacher.  I am part of the Christ centered  ACTS Manila consortium of teachers and ballet schools.  You can call me to compare my rates with other teachers in my area.

Only after considering the teacher should you consider the studio. I have taught ballet in small kindergarten classrooms.  A good teacher should be able to improvise teaching methods to meet the needs of the students.  I teach in 60 sq. m. church hall at Laguna Bel Air 2, Sta. Rosa, Laguna, Philippines.  You can call me at 09083020319 for a free ballet or contemporary class.